According to the encyclopaedia, the Slavic peoples are the group of peoples who speak Slavonic languages and are divided into East Slavs (Belarusian, Russian, Ukrainian, and Rusyn people), West Slavs (Polish, Czech, Slovak, Serbian, and Lucian people) and South Slavs (Bulgarian, Serbian, Montenegrin, Slovenian, Croatian, Bosnian, and Macedonian people). The Slavs are the largest ethno-linguistic group in Europe whose peoples boast a great literary heritage across a variety of genres and trends, including a wealth of poetic culture. I would like to present to Maltese readers some works by the national poets of three Slavonic countries.
I want to point out that while I was working on translating Dun Karm Psaila’s poetry collection from Maltese into Russian and while it was being formatted as an academic publication, I used as a basic methodological source the works of Professor Oliver Friggieri on Malta’s National Poet. His classification of Dun Karm’s poetic works under five thematic directions deserves particular attention. In this way Prof. Friggieri clearly showed that the directions the National Poet’s work took cover all the main aspects of human existence and of Maltese society, and broadly reflect various aspects of the country’s lifestyle.
As a researcher, I wanted to find out how present this reflection of life from different perspectives is in the works of poets from other countries who are recognised as great poets by their community. The positive answer to this question gives, for example, Russian poetry as made manifest by Alexander Pushkin, Sergey Yesenin, and the other poets that Maltese readers can familiarise themselves with in my book Antoloġija tal-Poeżija Russa (Anthology of Russian Poetry) that came out in Malta in 2019. But is one example enough? It was for this reason that I decided to analyse the works of the great poets of other countries. Of course, this work was to involve translations into Maltese from the original languages of poems from the selected countries. I chose poets from Ukraine, Poland, and Belarus. This choice was based on the fact that my own ethnic roots include Ukrainian and Polish components; as for the translations of the original poetic texts from Belarusian into Maltese, I had done these in the past.
Based on Professor Friggieri’s approach, the works of each poet can be classified according to themes, although the contents of the classifiers do not fully coincide. It should also be noted that every poet has a particular theme at heart, one which occupies a central place in their works. But at the same time, it is evident that these differences in the classification of themes do not detract from the obvious conclusion that the complex reflection of their society’s lifestyle is present in the works of all the great poets of each country. This is why they are accorded due recognition, and why the poets themselves are widely known and loved by their people.
As a result of my work, translations from the originals into Maltese of the poems of great poets such as Taras Shevchenko from Ukraine, Adam Mickiewicz from Poland and Yakub Kolas from Belarus were made. Three themes stand out in these works: reflections on the fatherland, the natural beauty of the native country, and the enduring theme of love.
Below is a short bio-note of each poet followed by their poems in their national language and in Maltese appearing in the two columns. On the left are the Ukrainian, Polish and Belarusian texts, respectively.
Taras Shevchenko (1814 – 1861) – Ukrainian poet, prose writer, thinker, painter, graphic artist, ethnographer, and public figure. Poetry plays a central role in his literary heritage. Taras Shevchenko’s works are considered to be the foundation of modern Ukrainian literature and its literary language.
Сонце заходить, гори чорніють
Сонце заходить, гори чорніють,
Пташечка тихне, поле німіє,
Радіють люде, що одпочинуть,
А я дивлюся… і серцем лину
В темний садочок на Україну.
Лину я, лину, думу гадаю,
І ніби серце одпочиває.
Чорніє поле, і гай, і гори,
На синє небо виходить зоря.
Ой зоре! зоре! — і сльози кануть.
Чи ти зійшла вже і на Украйні?
Чи очі карі тебе шукають
На небі синім? Чи забувають?
Коли забули, бодай заснули,
Про мою доленьку щоб і не чули.
Тарас Шевченко, 1847
Nieżla x-Xemx, il-Muntanji Jiswiedu
Nieżla x-xemx, il-muntanji jiswiedu,
Jiskot l-għasfur u taqa’ ħemda fuq dak il-bur.
In-nies ferħana li se tistrieħ fid-djar kennija,
Inħares ’il bogħod… u nibda ntir fi ħsibijieti
Lejn l-Ukrajna, lejn ġnejna dalmija.
Noħlom dal-ħolm, kollni ħerqan,
Qalbi dlonk ’ssib fl-aħħar serħan.
Bur sewdieni, muntanji, foresta fis-skiet,
Kewkba tielgħa fin-nir tas-smewwiet.
Stilla! Ja stilla! – u waqgħet id-demgħa.
Tidher dal-ħin f’tal-Ukrajna s-sema?
L-għajnejn skuri diġà sabuk? Jew insew, lanqas fittxuk?
Jalla li raqdu jekk ma fittxux,
Tant ikun aħjar li b’xortija
Jibqgħu ma jintebħux.
Yana Psaila. Traduzzjoni, 2022
Adam Mickiewicz (1798 – 1855) – Polish writer, poet, translator, playwright, teacher, and public figure. He had a strong impact on the formation of 19th-century Polish, Lithuanian, and Belarusian literature. In Poland he is recognised as one of the most prominent Polish poets of the Romantic era.
Do Laury
Ledwiem ciebie zobaczył, jużem się zapłonił,
W nieznaném oku dawnéj znajomości pytał,
I s twych jagód wzajemny rumieniec wykwitał
Jak z róży któréj piersi zaranek odsłonił.
Ledwieś piosnkę zaczęła, jużem łzy uronił,
Twój głos wnikał do serca i za duszę chwytał,
Zdało się że ją anioł po imieniu witał,
I w zegar niebios chwilę zbawienia zadzwonił.
O luba! niech twe oczy przyznać się nie boją,
Jeśli cię mém spóyrzeniem, jeśli głosem wzruszę,
Nie dbam że los i ludzie przeciwko nam stoją, Że uciekać i kochać bez nadziei muszę.
Niech ślub ziemski innego darzy ręką twoją,
Tylko wyznaj że Bóg mi poślubił twą duszę.
Adam Mickiewicz,1826
Lil Laura
Xħin rajtek dlonk ħassejt il-fjamma taqbad ġewwa fija,
U bdejt infittex xi konoxxenza ferm antika fil-ħars li qatt ma rajtu qabel,
Waqt li l-wardiet ta’ wiċċek bdew jiħmaru bil-grazzja xulxinija
Bħal fjura li tinfetaħ fid-dija taż-żerniq.
U malli smajtek tkanta, dlonk ħabtet iġġelben demgħa,
Għax leħnek daħal f’qalbi u messli ruħi sewwa,
Donnu xi anġlu ssejjaħ b’isimha l-istess ruħ instema’
Waqt li tal-fidwa s-siegħa daqqet fuq l-arloġġ tas-sema.
O għażiża! Tibżax tistqarr b’għajnejk
Jekk leħni jqanqlek u tħoss il-ġibda meta nħares lejk.
Ma jimportani xejn illi d-destin u n-nies kontrina,
Li għandi naħrab u nibqa’ nħobbok jien bla jies.
Ħalli mal-ieħor fiż-żwieġ fuq din il-art tingħaqad,
Imma li Alla diġà żewweġ ruħek ma’ tiegħi, ammetti biss.
Yana Psaila. Traduzzjoni, 2022
Yakub Kolas (1882 – 1956) – Belarusian writer, playwright, poet, translator, and public figure. One of the classics and founders of modern Belarusian literature. National Poet of Belarus.
Родныя вобразы
Вобразы мілыя роднага краю,
Смутак і радасць мая!
Што маё сэрца да вас парывае?
Чым так прыкованы я
К вам, мае ўзгорачкі роднага поля,
Рэчкі, курганы, лясы,
Поўныя смутку і жальбы нядолі,
Поўныя сумнай красы?
Толькі я лягу і вочы закрыю,
Бачу я вас прад сабой.
Ціха праходзіце вы, як жывыя,
Ззяючы мілай красой.
Чуецца гоман мне спелае нівы,
Ціхая жальба палёў,
Лесу высокага шум-гуд шчаслівы,
Песня магутных дубоў…
Вобразы мілыя, вобразы смутныя,
Родныя вёскі і люд,
Песні цягучыя, песні пакутныя!..
Бачу і чую вас тут.
Якуб Колас, 1908
Dehriet Għeżież
Dawn id-dehriet għeżież t’art twelidi
Ferħa u niket fl-istess ħin tiegħi!
Għala ħerqana tkun qalbi għalikom?
Għaliex ninġibed inkun lejn l-għelieqi,
Lejkom, ja xmara, għeqiebi u bosk,
Mimlija bid-diqa,
Bi ġmiel imnikket
Ta’ destin kiefer ta’ dan il-post?
Malli nimtedd u nagħlaq għajnejja
Lilkom inkun qiegħed nara,
Tgħaddu quddiemi ħiemda, qiskom ta’ vera,
Tiddu bi sbuħija liema bħalha.
Nisma’ t-tnehid imbikki
Tar-rbugħa dehbija,
U t-tħaxwix ferrieħi fil-masġar
Tas-siġar godlija.
Dehriet hienja, dehriet imnikkta,
Rħula għeżież u nies,
L-għanjiet newwieħa, l-għanjiet tan-niket…
Nara u nisma’ fil-ħolm tiegħi biss.
Yana Psaila. Traduzzjoni, 2021
Yana Psaila (née Kirienko). She is a linguist, translator, poet, and member of the L-Akkademja tal-Malti. This article forms part of the national campaign ‘l-ilsien Malti għal qalbi’, organised by the Office of the President and the Maltese language organisations.